THIS BLOG IS NO LONGER OPERATIONAL. PLEASE ENJOY WHAT IS HERE, AND DO LEAVE A COMMENT IF YOU WISH. NORTH CAROLINA'S NEW POET LAUREATE IS CATHY SMITH BOWERS. SHE WILL SOON HAVE HER OWN WEBSITE THROUGH THE NORTH CAROLINA ARTS COUNCIL SITE. I WILL BE SHIFTING MY ATTENTION TO HERE, WHERE I AM, (SEE SIDEBAR)USING IT TO DRAW ATTENTION TO WRITERS WHOSE WORK DESERVES ATTENTION. I INVITE YOU TO VISIT ME THERE.

For a video of the installation ceremony, please go to http://www.youtube.com/watch?v=0xAk6fOzaNE.

HERE, WHERE I AM HAS BEEN NAMED ONE OF THE 30 BEST POETRY BLOGS.

How a Poem Happens: http://www.howapoemhappens.blogspot.com/

Go to http://www.yourdailypoem.com/, managed with finesse by Jayne Jaudon Ferrer, who says, "Our intent is to make visitors to Your Daily Poem aware of the joy and diversity of poetry."

Showing posts with label Pudding House Press. Show all posts
Showing posts with label Pudding House Press. Show all posts

Sunday, January 3, 2010

POET OF THE WEEK: JESSIE CARTY



No one deserves to be the first POET OF THE WEEK on my 2010 blog more than Jessie Carty. Jessie is a young poet determined to follow the call of her passion for poetry. She will unashamedly share that passion with you, including her ambition to reach readers and other poets through as many avenues as possible She reads widely, she works hard to revise her poems, she submits work, and she remains open to as many guides and guidelines around her as possible. She is a faithful blog visitor, leaving supportive and appreciative comments, for which I am grateful. Jessie is the sort of young poet who will continue to grow, whose work will expand as her spirit expands through reading and, I hope, staring out her windows and letting her imagination weave its webs. "You have to be stubborn to make it as a poet" Maxine Kumin told me years ago when I was struggling to find a publisher for my first book. I'm pretty Sure than Jessie is stubborn enough to "make it."
It's a pleasure to introduce her as Poet of the Week.


Jessie's poems and non-fiction have appeared in publications such as The Main Street Rag, Iodine Poetry Journal andThe Northville Review. Her first chapbook, At the A & P Meridiem, was released by Pudding House Publications in 2009. Her first e-chapbook/2nd print chapbook, The Wait of Atom, was released by Folded Word Press in November 2009. Her first full length collection Paper House will be released by Folded Word Press in March 2010. Jessie works as a freelance editor, writer, and writing coach/teacher. She is also the editor of Shape of a Box, YouTube's first literary magazine. Jessie received her MFA from Queens University of Charlotte. She is a member of AWP, Charlotte Writer’s Club, NCWN, NC Poetry Society and will serve on the new board for the Poetry Council of NC. You can find her around the web but most often at her blog http://jessiecarty.wordpress.com.



From Jessie's first chapbook “At the A & P Meridiem” (Pudding House, 2009)


6pm


Outside the pan, then inside its lip,

the rhythm of the dish rag

invokes a spell of domesticity

as the grease clumps

down the silver walls of the sink

and into the growl of the garbage disposal,

all hungry like a spirit animal.

I set the oven to preheat at 450

while I chop up a fruit salad.

Out the sliding glass door,

I toss rings of oranges

puckered like over tanned skin

into a brown compost pile.

Improvising, I prepare

a pot pie of mixed, frozen

vegetables and sliced chicken.

Here is a dash of salt, a turn

of the pepper mill, a finger

making a furrow across the top.

I taste the raw beginning.

I set a timer for 45 minutes.

As I wipe down the counter

and scrub up the sink, I stop

once in a while to flick

the light inside the stove—

abra-cadab-ra.






From – The Wait of Atom, her 2nd chapbook, Folded Word Press 2009

(first appeared in Wild Goose Poetry Review)


The Wait of Atom


It wasn’t that he wouldn’t wait for her

or not even that he didn’t want

to wait for her, he just couldn’t

stand still. She couldn’t stand it,

the way his eyes became nearly crossed,

how he jangled the change in his pocket.

She’d complained before.


To keep his face from registering

annoyance, he began mentally listing

the noble gases by weight: lowest to highest,

using his hands in his pockets to count each one.

He could do this without moving his lips.

His face relaxed even though she was still

transferring her personal items

from a brown purse to a black one.


She had explained, on more than one occasion,

how her purse had to match her shoes. How

his belt should match his shoes and he’d learned

to keep his eyes focused on a point

just over her shoulder while he let his brain

scan the periodic table of elements.







Her upcoming full length book Paper House will be out March 2010 from Folded Word Press.

Paper House



Fold a sheet of striped

notebook paper in half.

Draw the shape of a house.

Trim the edges to form a roof.

Where you want windows,

cut a flap.

Place pieces of furniture

or people to peer at

when you peep

through the paper windows.

On the first floor, in the kitchen,

Mom raises

her stick arms. She can almost

touch the ceiling.

She’s closest to the door.

Above her is a bedroom


a girl looks out a window.

She’s next to a desk

with her arms out straight

as if she was trying


3rd grade calisthenics. To the girls’

right is another room


with a bed, a lamp. Downstairs,

next to the kitchen,


Dad lies on the couch wearing boxers.

Black and white can’t show


his cigarette dripping red-tipped ash

onto the carpet, forming a hole.



From a project in progress. Ology. First appeared in Blue Fifth Review


Far and Wee

I

Breathing on trees was my hobby. I’d sit on the browned pine needles, leaning my head against the bark and I’d suck in as much air as I could through my nose then I’d let it go with my chin pointed up to the branches. I’d pretend I was blowing up a balloon as I willed my carbon to keep the trees growing up and out.

II

I was never good at making balloons. Impatience perhaps? The first long breathes are almost futile. The balloon just spurts the air back at you, but if you keep pushing past that the plastic will eventually give and expand from the center rounding out.

III

Mom was the best at tying the ends of the balloons but my brother would do in a pinch. Like when we were waiting in the car once and to o entertain us, my brother blew up a balloon for each of us. My sister was in the front seat, bouncing her balloon back and forth against the windshield but I had taken a dare from my brother. I put the balloon under my shirt to pretend I was pregnant. I was rubbing my new rotund belly, saying, “Feel it kick!” When it popped, shrinking against the skin of my stomach it pulled the flesh up and in.





From an untitled project in progress but first appeared in The Dead Mule


Marrow


When the contractor began flattening the fields I had sold,

he turned over a small cache of bones.

From my back porch I saw him remove his hat, pull

his browning hand across his forehead.

He tossed the bones into the woods and leveled the spot,

prepping it for concrete.

In the dark of early evening I scooped up the bones. They were light

like bread and cold from the wet earth.

I warmed them in the oven of my palms, wondering if once

they were worn down by hours leaning into an axe,

or perhaps from grinding against a mortar to resize corn. They

could have been the foundation of skin, hope and tendon;

they could have belonged to the builders of pillars, of stone

circles, of sacrificial mounds, of children.

As I laid them down, I saw a body loose and those bones poking

through the skin like the skin was shale;

as the meat of the body moved down the shaft of the bone

like a candle melting on stone.




Friday, June 26, 2009

DEBRA KAUFMAN: Moon Mirror Whiskey Wind



Moon Mirror Whiskey Wind by Debra Kaufman.
Publisher: Pudding House Publications (ISBN 1-58998-770-5)
Price $10. S&H $2.50 for first copy; $1 for each additional two.
To order: go to www.puddinghouse.com and scroll down to “order form” on the left side bar.
You can print the form and send it with your check or credit card information to
Pudding House Publications, 81 Shadymere Lane, Columbus, OH 43213.
Or (faster and easier):
telephone PHP at (614) 986-1881 and leave a message with author name, book title, number of copies, your Visa or MasterCard number w/expiration date, and your mailing address and phone number.


Moon Mirror Whiskey Wind, Debra Kaufman's fourth collection of poems, obliquely tracks the life of a lonely girl steeped in fairy tales who tries to escape her small town's mores and create a new life. Poet and playwright Debra Kaufman is the author of Family of Strangers (Nightshade), Still Life Burning (South Carolina Poetry Society), A Certain Light (Emrys), and Moon Mirror Whiskey Wind (Pudding House). Her poems have appeared in many poetry anthologies and literary magazines, including Pembroke, Room of One’s Own, Virginia Quarterly Review, Greensboro Review, and Carolina Quarterly. Her plays have been performed throughout North Carolina and in California. She is working on a new collection of poetry and a full-length play, The Fairest. Debra grew up in several small towns in the Midwest. She moved to Durham, North Carolina, with her family in 1981 and has lived in Mebane for twenty years.





Destiny and Johnny

She was a reader
of fashion magazines.
He was a leader
of reckless young men.
Impossible her name should be Destiny.
He was called Johnny, forever.
Her mother said, marry, him, why not,
a wedding, a home, sure, that’s life.

Her father said neither one thing nor another.
She draped herself in layers of scarves,
followed the make-up tips of stars.
The mirror, her friend, suggested one day
you could be one of them.
Johnny wanted only her body,
which she gave as a blessing,
while saving her true self for the future,
which stretched beyond this hick state
of corn and beans, corn and beans
and the smell of shit and terror and rage
that blew in from the hog farms south of town.
To board a bus in Des Moines and head—
where? All she needed
was a godmother who would say,
First thing, kid, go, and go now;
second, know it will be hard;
third, I have a friend
in the city who can help you.



To a Barbie

She dresses you in evening gowns,
pushes shoes onto your
achingly arched feet,
bends you at the waist
and forces you into Ken’s car,
Ken’s boat, Ken always
whisking you away.
She moves your arms:
wave hello, better wear your windbreaker.
How tiring to have a pink
smile painted on
over a smear of white teeth,
your eyes, the blue of a chlorine pool,
always open.
Would you be happier alone
in the kitchen with your miniature
stove and tiny, unbreakable cups?
Mmm, this coffee sure tastes good,
she says for you, then strips
you again, rakes the comb
through your coarse, bleached hair,
then drops you in hot sand
under a killer sun;
grit gets in your cracks
while she eats an ice cream cone.
Naked, you wait—pert, expectant—
fated never to be loved for yourself,
but only as the plaything
of this moody little girl
now coming at you
with scissors in her hand.



The Princess with the Brass Heart

The ill winds of March
blew in catbirds and starlings;
the damp drummed up dozens
of mice. She’d find them,
heads bitten off, in the grass
and felt as little pity
as the cats that did the deeds.
Something scratchy
in her voice now.
She painted her toenails
the dull red of dried blood
and started eating meat again.
Television, solitaire,
all the same to her
tarnished heart, dull eyes.
Her borzoi shadowed her,
head down, rib-thin.
Three times she turned away
the slight suitor who might save her,
then slipped into the mirror
where the dark queen reigns.