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Wednesday, January 21, 2009

For the Inauguration of Barack Obama: David Hopes



(David Hopes, UNC-A)


One of our best NC poets wrote this poem for the Inaugural Celebration in Asheville last night. It is large-spirited, its perspective broad, its language soaring. David is also a splendid prose writer. I heartily recommend his BIRDSONGS OF THE MEZAZOIC. Does poetry have a role to play in our public and civic life? I believe we have some clues in the poems and comments we have heard, as well as in Obama's speech. What are your thoughts on this?

(The long lines in this poem are sometimes squeezed by the limits of the blog format. Please keep that in mind as you read.)

FOR THE INAUGURATION OF BARACK OBAMA



I see you, Waldo Emerson, looking down from the white steps
of the white church in the green town square, your shadow
longer than the steeple’s. I see you with your calipers out
to measure the progress of the Republic.
I see you dragging your stepladder to the center
where all the political speeches are made. I see you
climb to the top step, arms outspread like wings,
waiting for somebody to take you up, waiting for somebody
who, with words like a flight of new stairs, with hand
beckoning at open door, will take us out and over.

I see you Abraham Lincoln, stirring on your great stone seat
in the nation’s capital. I see you stare through the Potomac fogs
and the smog of automobiles wondering if the flags that fell
into the dust when you fell will be lifted up by anybody, ever.
People who stand before you day after day
have seen the great head tilt, the eyes turn the slightest turn
to the north and west. You are listening.
Thunder rolled once from the plains of Illinois, and I think
you hear it again, the first report, the gathering of voices
under a troubled cloud fringed with glancing brightness.

I see you, Walt Whitman, eyeing the men in their white shirts
coming out of offices, wondering when, if ever, to announce
the long-awaited wedding between politics and poetry,
the white knot to unite the tenderness and the will of nations.
I know who would lift his beard to the rising moon
to sing the prothalamium. I know who would dance naked
where the real Potomac meets the Potomac of the mind,
with its clear stream watering all the nations. Souls you saw
for sale and sweating in the noon sun have taken the harp
and the scepter in their hands. I hear you dancing on the bent grass.

So I say to you now, you old solemnities with your gray eyes
and your worries and the bit of deafness from the continual bombardment,
you martyrs from the sad gone past, warriors
and nurses and mostly-ignored, poor-dying poets,
breathe deep. Put grandma’s casserole under the checkered cloth.
Take the cider and the moonshine from their alcoves under stone.
Tie the ribbon on you haven’t worn these twenty years.
Come down to the water to drink.
The tables are spread and the fiddlers are tuned,
Come down to the dancing place to dance.

Barack Obama is President now. I’m saying this in a quaint old way
so my grandmother gliding from the ghost of the Shannon
to the ghost of the French Broad, seamless and mystical, will understand.
I’m saying this all down-home and elementary so Sherry from the third grade
and Jesse who fished the ponds with me and red John from the Projects,
who were children when I knew them, and may be children still,
come running unafraid. It is a new day. Have you seen such
gold on the flowers of the riverbank? Come down to the water to drink.
Justice is spreading white cloths on the tables,
and Generosity is heaping them high, and finding room for more.

And I am invoking allegorical characters so that Locke and Paine
and Rousseau and Aristotle under their crowns of laurel
may feel at home, wandering in from their Elysiums, the invitations in their
hands written in bold American, come home, come home.
The President of a Land Made New in an Age Made Just invites you.
Your names were mentioned but you never sat down at the table.
Sit now, Walt gossiping at your side and Abraham with his long arms
passing the platter. Come down to the water to drink.
The feast is prepared and no one has been turned away.
I bell thee, I summon thee, I sing thee home.

David Hopes

2 comments:

Nancy Simpson said...

Kay, this is an inspiring poem by David Hopes. (Hello David)

You ask, "What is the place of the poet in our country today?" Poets are invisible. I appreciate President Barack Obama inviting prize winning poet Elizabeth Alexander to grace his inauguration ceremony with a poem. I was moved by her poem but disappointed that the New York Times failed to honor her line breaks. Also there was something about the last line. I believe she read it differently.

I would have liked to hear David Hopes read his poem, "For the Inauguration of Barack Obama" in Asheville. Wouldn't it be amazing if there were inauguration poems read in every community throughout the nation on the day of the presidential inauguration?

Both poems moved me. Alexander's poem spoke more to those who have grievances to put aside as they move to love and light. I felt her poem was more for the black community and for those whites who have not yet experienced the spiritual love needed to bring our nation together.

The poem by David Hopes insipried me. I felt it was more the white collar poem, the more literate poem. Toward the end, I had a problem following his line breaks also. As a practicing poet who reads poetry daily, there is something I can take from each of the poems to help me at this dark time in our nation's history.

I will remember David's poem more because of his strong ending: "Come down to the dancing place to dance, come down to the water and drink." I know, he is invoking former literary greats, he says so, but his words make me want to "come home" too.

Kathryn Stripling Byer said...

Nancy, thanks for your comment. I think the idea of having Inauguration events with poems written for the occasion is a great one, and I wish we'd do more along these lines. David's line breaks near the end are compromised, by the way, by being squeezed into my blog space. For me, his poem captured the historic importance of the day and its language really sings. Alexander's did not. I will be posting some comments by a couple of poets and a vocal teacher soon. Alexander's conclusion fell flat in part because of having no vocal resolution. I'll have to read the poem in text, with line breaks. And how depressing taht the NY Times ignored the line breaks. I fear too many poets don't take them seriously either. I fear American poetry has let itself become too small for the subjects it must be able to write about if it is to remain in any way vital to our culture.